Nine miles offshore, at the entrance to Boston Harbor, stands Graves Light.
We were invited to take part in the restoration of the site over several seasons, contributing to work that required moving people, tools, and materials across open water and onto a narrow rock ledge exposed to weather, tide, and sea state.
Our role centered on designing and building a small viewing deck at the base of the oil house—work shaped as much by access, timing, and conditions as by drawings or intent. Nothing arrived easily. Everything had to be planned around what the site would allow on a given day.
This project remains a reference point for how we think about making: work done in direct contact with place, where constraints are not abstract, and where attention, preparation, and adaptability matter as much as finish or form.
Further writing related to Graves Light lives in Field Notes.